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Rayon Vert

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27 Good-byes

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NEWS EDITORIAL

Exhibition: Night Watching by Rineke Dijkstra

Exhibition: Night Watching by Rineke Dijkstra

Rineke Dijkstra (b. 1959, The Netherlands) is well-recognised for portraying specific social groups, such as mothers, adolescents, teenagers and soldiers. The key theme of her work – both still photography and video – is vulnerability, which she extracts from her subjects through the process of photographing on her large format camera. Through her photographic series,…

José Luis Cuevas: On the Resistance of Bodies

José Luis Cuevas: On the Resistance of Bodies

The project On the Resistance of Bodies by José Luis Cuevas (b. 1973, Mexico) collects material that signifies violence and the vulnerability of the human body, such as photographs of crime scenes, (nude) portraits, morgue images and car accidents. Shot in Mexico City, the series represents the omnipresence of violence in the city’s culture as well as…

Fatma Fahmy: Once There Was a Tram

Fatma Fahmy: Once There Was a Tram

Fatma Fahmy (b. 1991), an Egyptian documentary photographer, currently living in Cairo, has been selected as the first winner of the Daniele Tamagni Grant. The grant aims to encourage young photographers from the African continent to proceed a professional career in photography by providing a fully paid tuition for the Photojournalism and Documentography Course at the Market…


NEWS GUIDES

Rayon Vert

Rayon Vert

Swiss photographer Senta Simond (b.1989) arranged sessions between herself and her subjects – young female friends she has been closely acquainted with for a decade or so. In these somewhat outlandish photographs, a mix of colour and duotone, the young women come across as empowered, dreamy yet self-aware, and if anything is laid bare –…

Peter Funch – The Imperfect Atlas

Peter Funch – The Imperfect Atlas

Climate change and its massive consequences is something we can no longer deny. However, the hard changes our nature and environment have to endure are not immediately visible to our eyes, which makes us blind and ignorant as the problems increase. It is this paradigm of perception and relation to place that photographer Peter Funch…

27 Good-byes

27 Good-byes

It started in 1991, with a sequence of snapshots that were made by the photographer to immortalise the moment of departure and to overcome the sadness of leaving her parents’ house in suburban Iowa, United States. At first, Dikeman considered these images a part of the larger ongoing body of work 'Relative Moments' (1986 -…